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From our previous lesson on the CAGED systemwe know that the sequence remains constant regardless of which chord shape we started from. 0:45 – 5 Pentatonic Positions vs 5 CAGED Shapes Comparisons In fact, it’s imperative reading. We could play the same shape in a different position if we want, but we would be changing the key. The five C-A-G-E-D scale shapes (C shape, A shape, G shape, E shape and D shape) surround the entire fretboard. Here’s a quick rundown on the pentatonic boxes, and how they relate to the CAGED system. In this case, let’s learn the Major Pentatonic scale around each of the scale … If we used the first shape, we would need to start on the 3rd fret of the 6th string, because that note is a G. We could then play the second shape by starting on the 10th fret of the 5th string, as that note is also G. This is how the two shapes would look: Here are the notes/tabs for the G minor pentatonic scale, using the 1st shape, then the 2nd: While being able to move shapes around is one of the perks of being a guitarist (if you learn one shape, you can move it around in twelve different keys), the downside is that for every scale you learn, you should be able to play it using different shapes, so that you cover the entire fretboard. Nice work. Pattern 1 (CAGED: E shape) This shape has many cool blues licks in it, should be the second shape you learn. That’s why it’s so important to master all of these five scale shapes. No matter which system you choose to study, the ultimate goal always remains the same: In other words, there are many different “visualization systems”, all of which have the same end goal in mind. Here is what is included when you pay the one-time fee to upgrade your account. I understand that this reiterates what you’ve said, but again, the focus for me seems to be knowing the root notes, in both senses, cold. The northstar in this, as I see it, is the root note. While our scale diagram would stay the same, our interpretation of where it is played would be as follows: The text that says ‘5th’ indicates that the scale should be played starting on the 5th fret. Let’s look at another way of playing the minor pentatonic scale. The circles with numbers tell us to use that finger (number) on the string and fret that it sits on. When you see/hear a guitarist doing a guitar solo, that’s lead guitar. Note how these shapes also built off the CAGED octave shapes. In the previous lesson we discussed what scales are, why they’re important, and the many benefits of learning them well. The darker circles represent the root notes. We did this briefly in the previous lesson, using the ‘natural minor’ scale as an example. That aside, lead guitar is strongly associated with guitar solos and melodic playing. That is true sometimes, but not always. When we interpret the shapes and play them on the guitar, we want to start from the root note, usually the lowest one pitch wise. Because we have used each shape to play over one octave, there are notes in each shape that we simply haven’t covered. This means that we would now be playing an ‘A minor pentatonic scale’: If we started on the 8th fret, we would be playing a ‘C minor pentatonic scale’: Ok, you should by now have a clear understanding of how scale shapes work and how you can move them around. The truth is that the lines are often blurred, a guitarist can often play a song or a part that contains both lead guitar and rhythm guitar elements. This was easy with the original shape that we looked at because the lowest note of the shape was the root note, but with this one, we need to observe where the lowest root note is, and play from there. you can figure out how to play scales in a given position. Sometimes, it’s best to understand the theory and then just learn the shapes that have already been prepared. So for each scale that you learn, how many different shapes should you learn? The notes are the same, therefore, the pattern is the same. The name ‘CAGED’ is derived by associating each of the five shapes with a corresponding chord shape (C + A + G + E + D = CAGED). Let’s look at the five different positions of the pentatonic scale. As you can see the 5 pentatonic positions fall under the “dynamic” category. If we want to interpret a scale diagram by playing the scale over one ocatave, we do the following: We start with the lowest root note (pitch-wise). However, as guitarists, we have the luxury of being able to learn movable shapes. The only difference is the root (in red), the starting note. Fretboard Theory 1 by Desi Serna is a great resource devoted entirely to learning the pentatonic system with CAGED. Both are important, but you should always be very clear about what you are trying to do. For example, playing a B minor pentatonic scale, by starting on the 2nd fret of the 5th string would look like this: You can use the interval structure to figure out the minor pentatonic scale in every key, just like with the major scale. This is a situation that you will encounter fairly often, and this is where the “overlap” occurs nicely. I’ve been playing in bands and studying the fretboard since I was 11. Let’s say we wanted to play the G minor pentatonic scale. This is where the CAGED system for Guitar comes in. The second image contains numbers (in red) that tell you in which order to play each note. You’ll learn how to easily jump from the major to the minor pentatonic scale in three main neck positions AND how to play the 1, 4, 5 chords in those various positions. And this is why there is often a lot of confusion between the different fretboard visualization systems. All Rights Reserved. For example, ‘C#’ becomes ‘C’. Pentatonic Scales And The Caged System (Lead Guitar Playing Part 1), how to practise scales by staying in one position, How To Practise Scales And Arpeggios By Staying In One Position. The main reason for the confusion is because some visualization systems are “dynamic” whereas others are “static”. That same “Position #1 = G-Shape” connection won’t work anymore. You’ll learn how to easily jump from the major to the minor pentatonic scale in three main neck positions AND how to play the 1, 4, 5 chords in those various positions. It’s time to introduce another shape. It would probably be too confusing to try to explain this process note by note. Required fields are marked *. There are two free downloads of the scale systems as an overview: chords related to fret board to scales. If you learn five different shapes for a given scale, you can play that scale all over the fretboard. Hopefully between this lesson and the last lesson about Why the CAGED system doesn’t make sense, you were able to recognize the key differences between dynamic and static systems of fretboard visualization. The problem is that it is not very practical. Same scale, different shape. When the progression moves to C, find a C. If there is one on the b or d string you feel like jumping to, you know you can play chord tones or an arpeggio in the D shape, for example. The major pentatonic sequence goes: R-2-3-5-6 (Box 2 in the example). It’s a good thing to do, as an exercise in fretboard knowledge and scale knowledge. If we played this shape by starting on the 4th fret (for example), we would be playing a ‘Db minor pentatonic scale’. Your email address will not be published. Playing a scale on one string only is a good way of getting a visual idea of how the scale is set out. For instance if you are playing in the key of C major, and you are soloing in pentatonic position #1, you will realize that you can also find the chord tones of the C major scale right underneath your fingertips in the “G-shape”: Pentatonic position #1 in the key of C major: However, this may lead you to believe that pentatonic position #1 is ALWAYS going to be associated with the G-shape of the chord that you are looking for, but that will not always work. Old af now and still at it about learning how to play scales in a,! The one-time fee to upgrade your account nearby CAGED shape for the confusion is because some systems. Circles with numbers tell us to play “ in key ” learn, how many different shapes should you?., if you are trying to do it with the minor pentatonic scale the northstar in this case, starting! 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