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DS: "Compression isn't a replacement for a good balance, so get that working first. What is the master compressor 'glue' effect everyone talks about? If you’re just starting to master the skill of bus compression, don’t be afraid to listen with 10dB of gain reduction or more as you dial in your settings! Channel B is for your parallel compression, and in some DAWs input monitoring will need to be enabled. Bus compression is often used in mixes and masters to create a cohesive and overarching timbre for the recording. For the latter, aim for 2dB gain reduction, and if that doesn't feel like enough, take time to listen carefully until you notice the difference!". Visit our corporate site. It’s very grabby, very musical, and it makes things punch. (Computer Music) 31 December 2014, Apply audio glue to give your tracks cohesion and solidity. Go much beyond those settings and your mix will sound flat and strained. I use plugin alliance townhouse bus comp although I might try the UAD Fairchild since so many people are recommending it and I already have it. Step 3: Extreme compression effects are generally best used at the mix stage, when you have more control over individual tracks and groups. DS: "The decision is between a higher ratio (between 4:1 and 10:1) with fast attack, and a lower ratio (2:1 to 4:1) with a slower attack but reasonably fast release. We load Native Instruments' Solid Bus Comp - a plugin emulation of the classic SSL G-Series Buss Compressor - as an insert on our track. You will receive a verification email shortly. It’s the channel that all of the audio from a session flows into. Coming up next is a link to a video of this technique using Logic’s own compressor. Computer Music The loudest source signals in a mix will be the first cross the threshold of the mix-bus compressor. It’s very grabby, very musical, and it makes things punch. Get schooled in a universe of compression - over 14 pages and in 17 videos - with issue 222 of Computer Music. Step 2: We set a low Ratio of 1.5:1, 0.8s Release and a Threshold of 6.0dB, before re-levelling with a 1.5dB Make-up gain amount. Many top engineers swear by it, claiming that it can add depth, punch, and glue to a mix. Bath Master bus compression - quite simply, the use of a compressor on the master or mix bus - can make a profound difference to the overall sonic quality of a mix, binding its individual components together into a cohesive, professional-sounding whole. Many would argue that applying compression to the entire mix is a job meant for the experienced mastering engineer. Is it a good idea to mix with a compressor on the mix bus? You will receive a verification email shortly. You'll be able to adjust them more accurately when mastering, and can take into account any other mastering changes such as EQ.". Mix bus compression is the act of mixing through a compressor on the master output, although the term is commonly used today also to refer to sub-mixing sets of instruments on an auxiliary bus as well, such as drums. Receive mail from us on behalf of our trusted partners or sponsors? DS: "Good question. To get some clarity on the matter and an overview on other master dynamics processors such as limiters and multiband processors, we chatted to mastering engineer Doug Shearer. I’m afraid there is no compressor setting that fits all. Go much beyond those settings and your mix will sound flat and strained. It can be a good learning experience. What I do is run an AUX to an EQ and Compressor, then mix that back into the bus/mains. I put light compression on the 2 bus and mix into it. Nevertheless, for badly mixed material, where the elements aren't integrating properly, and revisiting the mix isn't an option, they can be useful problem solvers.". Master bus compression is used both when mixing and mastering tracks, but with so many compressor options available in plugin form - including a host of classics such as the SSL Bus Compressor, API 2500 and Neve 33609 - the temptation is to go full-tilt in search of that elusive mix 'glue' you'll have heard mentioned. Computer Music A very slow Attack setting will ensure we preserve transients, so the compressor only gently pulls down the track's sustain elements - try out fast attack times and note the destructive effect of the compression. The key with master buss compression is to mix into it. I also put a little comp on the master bus, usually shadow hills. By Future Publishing Limited Quay House, The Ambury, England and Wales company registration number 2008885. But tread carefully, as bad compression on your master mix can't be undone, and an eagerly set-up mix compressor may well end up hiding poor balance decisions as your mix progresses. There was a problem. I’m just tickling the meter, never more that 1 or 2 dB of GR. If so, what should/shouldn't they be used for? It’s when your settings are too harsh, aggressive, too fast or too slow that the compressor falls out of sync and exposes itself as being an artificial element in the music. Master bus compression is used both when mixing and mastering tracks, but with so many compressor options available in plugin form - including a host of classics such as the SSL Bus Compressor, API 2500 and Neve 33609 - the temptation is to go full-tilt in search of that elusive mix 'glue' you'll have heard mentioned. Master bus compression is an aesthetic decision as well as a pragmatic one. Most mastering engineers use high thresholds and low ratios (typically 1.25:1 or 1.5:1 – rarely anything more than 2:1) in order to achieve just 1 or 2 dB of gain reduction. What makes a good mastering/master bus compressor, and is there a difference between 'mastering' compression and what people refer to as 'bus' compression? mix bus compression is pretty typical, what needs to change on a song by song basis is the threshold and make up gain. Remember, excess compression can't be undone when mastering.". Buyers' guides to all the best music gear, Free music samples: download loops, hits and multis from SampleRadar, 11 best studio headphones 2020: recommended headphones for music production, 11 best laptops for music production 2020: portable computers for musicians, producers and DJs, The best studio monitors 2020: 10 affordable to high-end studio speakers for musicians and producers, The 12 best audio interfaces 2020: top audio interfaces for music-making and production, Arturia responds to Behringer’s KeyStep MIDI keyboard lookalike Swing: “This is not fair competition”. Bath So, why use mix bus compression? General Compression Use. MusicRadar is part of Future plc, an international media group and leading digital publisher. The SSL G-Master Buss Compressor plugin, which accurately models the response of the analog circuitry found in the legendary console of the same name, is an excellent choice for mix buss compression. There's no difference between mastering and bus compression as such, although you'd expect a mastering professional to have the very best-quality devices, and most likely these will be hardware.". I've been on the Manley Varimu lately and my settings are pretty similar, although I play with the input and output gains to get some color. You don't really do parallel compression on the 2 bus so keep it at 100%. You might not notice this 'gluing' effect unless you listen on good quality headphones or monitors - bypass the plugin to carefully observe its effect. You don't really do parallel compression on the 2 bus so keep it at 100%. The former gives a bit of bounce to the track and targets peaks such as drums. DS: "As a rule of thumb, the compressor should be the final device prior to the limiter, although for a very dynamic mix, sometimes compressing first can make it more manageable.". Do multiband dynamics processors have a place on the mix bus or mastering chain? Less Is More. BA1 1UA. DS: "The term is a good description of how a well set compressor can solidify the mix, controlling the dynamic range in a way which allows detail to come up, revealing more of the interaction between instruments.". Attack: @ Citizen. Meaning strap it on at the beginning of your mix instead of mixing and then slapping it on at the end. The mix bus is another name for the output of your DAW. Compressing the mix bus can do … Receive mail from us on behalf of our trusted partners or sponsors? Thank you for signing up to Musicradar. As with equalization, the less compression you apply during mastering, the better the result.In fact, the quickest way to make your master sound like a demo is to overcompress it. Output limiters can easily be replicated in mastering, so leave them off when you bounce your master. Includes FREE VST/AU effects rack plugin, FX TimeTrip sample pack and more! Create a new audio track in your DAW and drop CM205 Track.wav onto the channel. Who is the best acoustic guitarist of 2020. If you plan on using a mastering engineer, they'll probably have a better master compressor and be able to set it up with fresh ears. Step 1: Master bus compression is an often-misunderstood technique, so let's look at how to use it effectively. Rack plugin, FX TimeTrip sample pack and more where should i put the compressor in the mastering master. The Ambury, Bath BA1 1UA makes things punch another name for the recording and it makes things.! 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