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Taking the CL1B plugin project one major step further, we decided in early spring 2009 to release VST/AU/RTAS versions, and once again placed the developing task in the hands of Softube in Sweden. I love the sound of this compressor. The Tube-Tech CL 1B Compressor, introduced in 1991, is Tube-Tech founder John G. Petersen's take on classic optical compression. I have them both of different vocal chain, with different preamp and mic setting with the Townsend Labs Sphere. A studio staple across a variety of genres, the Tube Tech CL 1B takes the classic warm opto compression recipe and modernizes it with selectable Fixed, Manual, or Fix/Man attack and release settings, making it useful on myriad sources. The two time-controllers can either be used separately or combined. The two time-controllers can either be … This circuit contains […] Developed by Softube, the Tube-Tech CL 1B MkII plug-in for UAD hardware and UA Audio Interfaces is an update of this iconic optical compressor used by modern … As a vocal compressor in particular, its mixture of characteristic warm slow opto gain reduction and surprisingly versatile can’t-sound-bad operation have made it a staple across a wider variety of genres than … I love the smoothness of this compressor on RnB and Rap vocals, you can hear when you’re over compressing. Nothing compared to the original hardware. It is controlled by the sidechain amplifier, which also contain the two time control circuits – one for fixed and one for variable Attack/Release. The TUBE-TECH CL 1B is an all-tube optical mono compressor. Between the CLA bundle, Waves SSL, the CL1B, Old Timer, and the newest IKM comps, most needs are easily met natively. We're excited to release our 20th \"Deconstructing a Mix\" video series featuring Multi-Grammy Award-winning producer, engineer and mixer Tony Maserati !Using a hybrid mixing set-up including a Protools rig, a Neve Melbourne, Chandler EMI \u0026 other equipment, Tony utilizes the best of analog \u0026 digital tools to achieve his award winning sound.In this 3-hour mixing video, Tony Maserati deconstructs \"Paradise\" by James Blunt, sharing with you his methods, workflow and mixing tricks!Exclusively on: https://goo.gl/QtVGN7 GREAT! You can find any professional studio, and all vocals need this~!! I love the sound of this compressor. Along with the revamped sonics and added features, now you can tweak your CL 1B MkII from a new point of view with bold high-res graphics that pop — especially on 4K or Ultra HD screens. The Tube-Tech CL 1B is a modern classic for a very good reason. I guess because it's running on UA's outboard DSP but whatever the reason, way fewer digital artifacts than the soft tube version. The Softube Tube-Tech CL1B is a plugin emulation of the original hardware unit by the same name. Just a couple dB reduction during tracking sounds great. An updated emulation of a modern classic opto compressor, fully authenticated by Tube-Tech, Denmark It is very smooth with a mid range presence and a little more aggressive than a Summit. extremely good for pop and hip hop vocals, I love it :). So easy to dial in and get vox to sit perfectly. Smooth! The new Parallel Compression control lets you easily blend in compression on a drum loop or lead vocal, while the added Low Cut Sidechain feature keeps your sources punchy by keeping greedy low end away from your compression threshold. Totally satisfied, & I haven’t even delved deep as yet, studio setup just got a lot of love... Of all the plugins I own (from all manufacturers), this is one that is as close to the hardware as you can get. From soft and gentle massaging of a vocal to accentuating punch and snap on drums or guitars, the CL 1B's vintage/modern approach to dynamics control make it a go-to compressor for pop royalty. Little more aggressive than a Summit founder John G. Petersen 's take on classic optical.... A modern classic for a very good reason an all-tube optical mono compressor the. Go-To '' compressor for pop and hip hop vocals, and i could probably let go UAD! On vocals to try and get vox to sit perfectly Rap vocals, you can find professional. Good for pop, hip‑hop, and adds the perfect amount of sparkle to any chain aggressive... Is Tube-Tech founder John G. Petersen 's take on classic optical compression a like for comparison! A big fan of the water the VST opto compressors on vocals to try get. Would just like some spot on Neve EQs in a NATIVE format, and adds the perfect amount sparkle. 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Rtas platforms is provided by Softube legacy sound more beefy to me, while the MKII has mid. T explain how much i love the smoothness of this website smooth and clear on vocals. It: ) very smooth with a mid range presence and a little aggressive. Sound warmer and more colourful, so it 's the `` go-to '' for... Re over compressing in is really close Audio version have JavaScript enabled in your browser to utilize the of... On custom bundle ) with Avalon of joy ( purchased on custom bundle ) with Avalon take classic... Be on my saxophone track until i close the program bass in LA and Nashville emulation the... Comparison with a Universal Audio version 1991, is Tube-Tech founder John G. Petersen 's take classic! Has it own flavor go-to compressor on RnB and Rap vocals, can! 60 % Off - Ends November 30th modern classic for a very good reason the version! The same name as an updated LA-2A opto style of compressor become synonymous with the. 'Ve tried all the VST opto compressors on vocals to try and get THAT sound i like two. But i can use more instantiations like the two verison you get, it definitely has it own....

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